Carlos G. Gómez
Mr. Carlos G. Gómez
Born in Mexico D.F., Carlos G. Gómez found his first artistic expression in the “Tex – Mex” culture of the Rio Grande Valley in Brownsville where he was raised. “Brightly colored buildings and the surreal atmosphere of the Mexican border towns gave me the first appreciation of color, line, and the generalization that my chosen images would have to be bold and realistic," explains Gómez. He obtained his B.F.A. at Pan American University and attended Washington State University for his M.F.A. in painting and drawing. In the course of his studies he went, from an interest in Renaissance style art to a self ascribed “social-abstract-surrealism” and is currently exploring multi-technique painting and drawing. He has received positive critical reviews from the media where he has presented exhibitions. He was included in Arizona State University Hispanic Research Center publications; Contemporary Chicana and Chicano Art Work: Artist, Works, and Education and CHICANO ART FOR OUR MILLENIUM.
Notable exhibitions include: The 24th exhibition of Painting and Sculpture held at Barnegat Light, New Jersey, which included monumental artist like: Ben Shahn, Leonardo Nierman, Betty Wesson, Samuel Rattner, and others. Other note worthy exhibitions he has participated in, include the 70th American Annual at Newport in Rhode Island, the Second National Jury Exhibition in Washington DC, The Latin Spirit of the 80's in Houston, the Art in Nature at the Museum of Natural History in Austin, Cara on Cara: Texas Faces in San Antonio, Tres Proyectos Latinos, Austin Museum of Art at Laguna Gloria curated by Benito Huerta, and the Eight Parkside National Small Print Exhibition held in Kenosha, Wisconsin. Other exhibitions of merit were Sister Cities Testing Boundaries Exhibition, El Paso Museum of Art, El Paso curated by Christian Gerstheimer, a three person show at the Guadalupe Cultural Arts Center curated by Kathy Vargas in San Antonio, “Chicana/o Art for our Millennium,” at the Mesa Southwest Museum in Phoenix, “Four from Brownsville” at the Kellogg Gallery at Cal Poly Tech in Pomona, California, “Dos Caras Del Sur de Tejas” Carlos G. Gómez and Cesar A. Martinez; at the Brownsville Historic Museum, group exhibitions in Fort Worth, Austin, Dallas, Houston, Wichita Kansas, Boise Idaho, and Norm Oklahoma, and several exhibitions in the Rio Grande Valley many of which were one man shows. Among them were “Provenance” at the Rio Grande Valley Museum in Harlingen Texas, “Pseudonym” at Richardson Art Gallery, “Serendipity” at STC in McAllen, Texas, “Presence” at La Pena Gallery in Austin, “The Human Condition” in Brownsville, “Orale” in Mexico, “Unplugged: Gómez on Paper”, The Chupacabra Chronicles Exposed, “Cadence” and “Unplugged: Gómez on Paper # 3” at the Art Center at Corpus Christi.
Carlos was also invited to “Monumental Idea in Miniature Book” an art international exhibition and Ink and Clay 35 a juried exhibition at Cal Poly Tech Pomona California. Aside from exhibiting his work, Gómez is also a very active curator and has curated more than one hundred exhibitions. Currently, he is a Professor of Fine Arts at the University of Texas at Brownsville, where he teaches a wide range of classes in painting and drawing.
TEACHING PHILOSOPHY: The need to generate work within the act of solving problems not only fosters the intellect, but also an exchange of questions and answers that groom individuals to become cultivators of thinking. This makes the exchange between teacher and student a learning experience for both.
MFA from Washington State University
BFA from Pan American University
CV/VITAE: Gómez Vitae
Drawing II (figure drawing)
Painting II (3 different curriculum changes)
Drawing for Non-Art Majors
Painting for Non-Art Majors
Art Survey I Pre-Historic to Renaissance
Advanced Drawing (5 different curriculum changes)
Advanced Painting (4 different curriculum changes)
Individual Problems (2 different curriculum changes)
Senior Exhibition (2 different curriculum changes)
Advanced Drawing Wildlife Illustration (summer program)
Internship in Studio Art
Studio Art\General (4 different curriculum changes)
Mexican Art History
Pre Columbian Art History
Chicano Art History
Area of Specialty and Responsibility:
Painting and Drawing
1998-2000 Adjunct Faculty College of Education, University of Houston
1992 -1998 Associate Professor University of Texas at Brownsville.
1995 -2001 Gallery Director Richardson Art Gallery, UTB.
1985- 1992 Instructor Texas Southmost College, Brownsville, Texas
1982-1985 Supervisor Crafts Studio/Director UC Gallery, University of Houston
1981-1982 Head Typesetter United Graphics, Houston, Texas
1980-1981 Carpentry Shop Head/Assistant Art Director Mountain Park Educational/Recreational Center, Houston, Texas
1979 Teaching Assistant Drawing Washington State University
1978 Teaching Assistant Pre-Columbian Art Washington State University
1977 Research Assistant Chicano Studies Washington State University
- Gómez All Over the World
- Gómez in Pomona, Ca.
- Cadence Exhibition, .pdf Poster
- Chupacabra Exhibition, .pdf Poster
Tres Pintores, Video
- Reading Material: By Laurie Fendrich, Sept. '98 Vol. 20 No. 3, Universal Leonardo
- Unplugged: Gómez on Paper 3rd Edition
- Rancho del Cielo Trip 2007
- Rancho del Cielo Trip 2009 (Coming Soon)
- Artist Statement
- Work on Canvas
- Unplugged: Work on Paper (Slide Show Coming Soon)
- Student Gallery
- Courses Taught
- All General Syllabuses (Coming Soon)
- Current Syllabus Fall 2009 6310, 6300, 2316, 2317, 4391, 4393, 3321.
- Take a Look-Click!
- Painting Supplies
- Online Site for the Best Color
- Simple Color (The Munsell Color System)